Italian Early Renaissance Painter, 1267-1337 Italian painter and designer. In his own time and place he had an unrivalled reputation as the best painter and as an innovator, superior to all his predecessors, and he became the first post-Classical artist whose fame extended beyond his lifetime and native city. This was partly the consequence of the rich literary culture of two of the cities where he worked, Padua and Florence. Writing on art in Florence was pioneered by gifted authors and, although not quite art criticism, it involved the comparison of local artists in terms of quality. The most famous single appreciation is found in Dante's verses (Purgatory x) of 1315 or earlier. Exemplifying the transience of fame, first with poets and manuscript illuminators, Dante then remarked that the fame of Cimabue, who had supposed himself to be the leader in painting, had now been displaced by Giotto. Ironically, this text was one factor that forestalled the similar eclipse of Giotto's fame, which was clearly implied by the poet.   Related Paintings of GIOTTO di Bondone :. | Last Judgment | Decorative bands | Lamentation over the Dead CHrist | Scenes Nos | Moses Brings Forth Water out of the Rock |
Related Artists:
Karl Julius von Leypold
German, 1805-1874
wilhelm bendz
(March 20, 1804 ?C November 14, 1832), Danish genre and portrait painter, is one of the main personages associated with the Golden
Nicolas Dipre
b Paris; fl 1495; d by 14 March 1532). French painter. Documents describe him as parisianus, and he appears to have belonged to a family of painters from Ypres or Amiens. His father, Nicolas Dipre the elder ( fl 1464, d before 1508), known as Colin d'Amiens, worked as a painter in Paris and was sufficiently well known in 1481 to be commissioned to produce a design for the tomb of Louis XI; his grandfather was probably the Andre d'Ypres documented in Amiens from 1435 to 1444. Nicolas Dipre is first referred to in 1495 in Avignon, where he worked for the rest of his life, gaining a widespread reputation.